#Cassette tape deck manual
#Cassette tape deck portable

Most manufacturers adopted a standard top-loading format with piano key controls, dual VU meters, and slider level controls. The Model 200 featured piano key style transport controls, with the Model 201 using the distinctive combination of a separate lever for rewind/fast forward and the large play and stop button as found on their commercial reel to reel machines of the era. Both featured an unusual single VU meter which could be switched between or for both channels. This deck was based on a top-loading mechanism by Nakamichi, then soon replaced by the Model 201 based on a more reliable transport made by Wollensak, a division of 3M, which was commonly used in audio/visual applications. Together these allowed a usefully flat frequency response beyond 15 kHz for the first time. CrO 2 used different bias and equalization settings to reduce the overall noise level and extend the high frequency response. Dolby B uses volume companding of high frequencies to boost low-level treble information by up to 9 dB, reducing them (and the hiss) on playback.

In 1970, the Advent Corporation combined Dolby B noise reduction system with chromium dioxide (CrO 2) tape to create the Advent Model 200, the first high-fidelity cassette deck. Although pre-recorded cassettes were widely available, many users would combine ( dub) songs from their vinyl records or cassettes to make a new custom mixtape cassette.

#Cassette tape deck portable

Cassettes became extremely popular for automotive and other portable music applications. Eventually the reel-to-reel recorder was completely displaced, in part because of the usage constraints presented by their large size, expense, and the inconvenience of threading and rewinding the tape reels - cassettes are more portable and can be stopped and immediately removed in the middle of playback without rewinding.

#Cassette tape deck manual

Tape recorder audio-quality had improved by the mid-1970s, and a cassette deck with manual level controls and VU meters became a standard component of home high-fidelity systems. Įarly recorders were intended for dictation and journalists, and were typically hand-held battery-powered devices with built-in microphones and automatic gain control on recording. The tape width was 1⁄ 8 inch (actually 0.15 inch, 3.81 mm) and tape speed was 1.875 inches (4.8 cm) per second, giving a decidedly non Hi-Fi frequency response and quite high noise levels.

The 'compact cassette' (a Philips trademark) was introduced by the Philips Corporation at the Internationale Funkausstellung Berlin in 1963 and marketed as a device purely intended for portable speech-only dictation machines. Both RCA and Bell Sound attempted to commercialize the cartridge format, but a few factors stalled adoption, including lower-than-advertised availability of selections in the prerecorded media catalog, delays in production setup, and a stand-alone design that was not considered by audiophiles to be truly hi-fi. At that time, reel to reel recorders and players were commonly used by enthusiasts, but required large individual reels and tapes which had to be threaded by hand, making them less-accessible to the casual consumer. The first consumer tape recorder to employ a tape reel permanently housed in a small removable cartridge was the RCA tape cartridge, which appeared in 1958 as a predecessor to the cassette format.

A typical portable desktop cassette recorder from RadioShack.